Kader Abdolah

Iranian-Dutch columnist, poet, writer

The pseudonym Kader Abdolah serves as a permanent memorial to two executed companions, masking the identity of Hossein Sadjadi Ghaemmaghami Farahani. Born in 1954 in Arak, Iran, the author transitioned from clandestine political journalism under the Shah and Khomeini regimes to becoming a prominent fixture in Dutch literature, writing exclusively in his adopted tongue to navigate the aftermath of exile.

Political Roots and Exile

Before arriving in the Netherlands in 1988 as a political refugee, Abdolah was deeply involved in left-wing opposition movements. He graduated from Arak College of Science in 1977 and completed his military service in the Iranian Navy. His early writing career began during the 1979 revolution, where he contributed to underground newspapers. Faced with the collapse of his political life upon immigration, he reframed the acquisition of the Dutch language as a strategic instrument for ongoing struggle.

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Literary Breakthrough

Abdolah achieved significant critical and commercial success with his 2005 novel, Het huis van de moskee (The House of the Mosque). The work reached the bestseller lists in the Netherlands and was later ranked the second-best Dutch novel ever in a 2007 survey conducted by NRC Handelsblad and NPS. His bibliography includes a wide range of titles, such as the 1993 debut De adelaars, the 2000 novel Spijkerschrift, and his 2008 translation and narration of the Qur'an.

Professional Honors

His contributions to literature have been recognized through numerous awards and appointments. He received the Gouden Ezelsoor in 1994, the Charlotte Köhler Stipendium and Prize in 1995, and the Edgar du Perron Prize in 2000. Additionally, he was made a Knight in the Order of the Netherlands Lion in 2000, appointed a Knight in the French Order of Arts and Literature in 2008, and served as an honorary doctor at the University of Groningen in 2009.

Fast facts

Questions readers ask

What is the origin of his pen name?

He writes under a pseudonym composed of the names of two friends who were executed.

Why does he write in Dutch instead of Persian?

He describes learning and writing in Dutch as a political tool for fighting following his exile.

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