Fast Facts
- Born
- October 27, 1932
- Zodiac
- ♏ Scorpio (Oct 23 – Nov 21)
- Origin
- American
- First Published Poem
- Age 8, 1941
- College
- Smith College (scholarship)
- Cambridge
- Fulbright Scholarship, 1955
- The Bell Jar
- Published January 1963
- Died
- February 11, 1963, age 30
- Pulitzer Prize
- 1982 (posthumous)
She published her first poem at eight years old. It appeared in the Boston Herald in August 1941, submitted by her mother — a four-line verse about a robin that she had observed, described in a child's direct and accurate language. She was, from the beginning, someone who watched the world precisely and then wrote down exactly what she saw. That habit of precise, unsentimental observation became, in maturity, one of the most powerful and original poetic voices of the twentieth century: a voice capable of transforming domestic detail, psychological terror, and personal grief into images of such clarity and force that they seemed to burn through the page. Sylvia Plath published two books and a novel in her lifetime. She died at thirty. In 1982, nineteen years after her death, she won the Pulitzer Prize for Poetry. She is among the most widely read and most intensely studied poets in the English language.
Sylvia Plath was born on October 27, 1932, in Boston, Massachusetts, to Otto Plath, a professor of biology and German at Boston University, and Aurelia Schober, his former student. Her father died of diabetes-related complications in November 1940, when Sylvia was eight. The loss was catastrophic and formative. She later wrote that she had buried him and buried God at the same time. Her mother, now a single parent, worked as a teacher and devoted herself to her children's education and achievement with an intensity that Sylvia both absorbed and — in her writing — sometimes turned against. She was an exceptional student throughout her schooling: editor of her high school newspaper, winner of multiple essay and poetry prizes, and the recipient in 1950 of a scholarship to Smith College in Northampton, Massachusetts, one of the most academically competitive women's colleges in the United States.
At Smith, Plath was publicly brilliant and privately struggling. She published poems in literary magazines including The Christian Science Monitor and won awards; she also experienced severe depression and, in the summer of 1953, following a rejection from a Harvard writing program and the experience of her first electroconvulsive therapy, attempted suicide by taking sleeping pills. She was found three days later, still alive. She spent several months at McLean Hospital, a psychiatric facility, and recovered. The experience became the raw material for The Bell Jar, the novel she would publish a decade later under the pseudonym Victoria Lucas — a roman a clef about a young woman's mental breakdown that remains one of the most vivid accounts of depression and psychiatric treatment ever written.
"I took a deep breath and listened to the old brag of my heart: I am, I am, I am."
— Sylvia Plath, The Bell Jar, 1963In 1955, Plath won a Fulbright Scholarship to Newnham College, Cambridge, where she met the English poet Ted Hughes at a party in February 1956. They married four months later, in June 1956 — a marriage of two poets of exceptional talent that was also, by all available evidence, one of extreme difficulty and ultimate catastrophe. They moved between England and the United States, had two children — Frieda (born 1960) and Nicholas (born 1962) — and both wrote prodigiously. Plath's first collection, The Colossus, was published in England in 1960. In January 1963, the same month her marriage effectively ended after Hughes's affair with Assia Wevill, she published The Bell Jar. On February 11, 1963, she died by suicide in her London flat. She was thirty years old. She had completed the manuscript of Ariel — her greatest, most incandescent collection — and left it on her desk.
Ariel, published posthumously in 1965, established Plath's reputation at the highest level. The poems — "Lady Lazarus," "Daddy," "Ariel," "Edge," "Death & Co." — were unlike anything that had been written before: autobiographical, formally precise, imagistically explosive, driven by a voice that was simultaneously confessional and mythic. The "confessional" label has always been reductive; the poems are not diary entries but carefully made artifacts that use personal experience as the raw material for something universal. Ted Hughes, who edited the first edition and controlled the literary estate, was accused by many of Plath's readers and scholars of manipulating the archive; the controversies have not subsided in sixty years. What has not been controversial is the power of the work itself.
"Out of the ash / I rise with my red hair / And I eat men like air."
— Sylvia Plath, Lady Lazarus, 1962In 1982, Plath's The Collected Poems, edited by Ted Hughes, won the Pulitzer Prize for Poetry — the first Pulitzer awarded posthumously in that category. Her journals, correspondence, and manuscripts have been extensively published and studied. The Bell Jar has never gone out of print and remains a touchstone for readers navigating depression, ambition, and the pressures placed on gifted young women. She is taught in universities around the world, and her grave in Heptonstall, Yorkshire, remains a site of continuous pilgrimage.
"I am vertical / But I would rather be horizontal."
— Sylvia Plath, I Am Vertical, 1961Achievement Timeline
Plath vs. Other Confessional Poets
| Poet | First Published | Major Collection | Key Award |
|---|---|---|---|
| Sylvia Plath | Age 8 | Ariel (posthumous, 1965) | Pulitzer Prize 1982 |
| Anne Sexton | Adult | Live or Die (1966) | Pulitzer Prize 1967 |
| Robert Lowell | Adult | Life Studies (1959) | Pulitzer Prize 1974 |
| W.D. Snodgrass | Adult | Heart's Needle (1959) | Pulitzer Prize 1960 |
Documentaries & Lectures
Sylvia Plath — life, poetry, and the making of Ariel
Lady Lazarus, Daddy, and the confessional tradition
Why This Matters
Sylvia Plath published her first poem at eight and spent the next twenty-two years building toward work of extraordinary maturity and power. Her story is not simply a tragedy about a gifted writer who died young, though it is partly that. It is also a story about what can happen when a person of exceptional intelligence and ambition is placed in a world that has not yet made sufficient room for that intelligence and ambition — a world that offers the talented young woman a scholarship and then watches, without adequate support, as she breaks under the weight of expectations it has placed on her. The poems of Ariel are not documents of defeat. They are documents of a voice finding its full power at the very moment when everything else was failing. They are read, and will continue to be read, because they say true things about experience that very few voices have had the precision and courage to say.