Karl von Großheim

German architect (1841-1911)

The funeral procession for Karl Friedrich Ernst von Großheim in 1911 earned the rare distinction of passing through the middle portal of the Brandenburg Gate, a ceremonial honor typically reserved for high-ranking nobility and princes. This recognition followed his career as a prominent figure in German architectural practice and his final role as President of the Prussian Academy of Arts.

Formative Years and Education

Born in Lübeck in 1841, he was raised by a family associated with the Großheimsche Realschule. By the age of sixteen, he had completed a three-year carpentry apprenticeship and worked as a journeyman in Altona. He eventually transitioned to formal architectural training at the Bauakademie in Berlin between 1866 and 1867. During his academic studies, he met Heinrich Joseph Kayser while attending life drawing courses led by Carl Steffeck. He passed his state examinations in 1860, having previously gained practical experience working under Hermann von der Hude.

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The Kayser und von Großheim Firm

Following a period working for August Orth from 1867 to 1870, he partnered with Heinrich Joseph Kayser to establish their own studio. The practice rose to prominence in 1872 when their submission for the Reichstag building competition secured second place behind Ludwig Bohnstedt. Their firm became a dominant force in German construction, often executing designs in Neo-Renaissance and later Neo-Baroque styles. The studio expanded its operations with branches in Bonn and Düsseldorf, the latter overseen by Max Wöhler, who joined as a full partner in 1899.

Institutional Contributions

Beyond his private practice, he held significant institutional influence. He served as a construction officer and university teacher, shaping subsequent generations of architects, including Martin Dülfer. He was a founding member of the Association of Berlin Architects in 1879 and joined the Prussian Academy of Arts in 1880. His professional stature resulted in the titles of Geheimrat and honorary professorship. In 1910, he assumed the presidency of the Prussian Academy of Arts, a position he maintained until his death in 1911 at Bad Rippoldsau-Schapbach.

Fast facts

Questions readers ask

What stylistic movements defined his firm's work?

The studio primarily produced designs in the Neo-Renaissance style, later incorporating Neo-Baroque elements.

Did he work independently throughout his career?

No, he practiced extensively in partnership with Heinrich Joseph Kayser and later included Max Wöhler as a partner.

Achievements

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