Hendrik Wijdeveld

Dutch architect and graphic designer (1885-1987)

Hendricus Theodorus Wijdeveld reached the age of 102, spanning over a century of developments in Dutch architecture and graphic design. From his early training in France to his tenure as editor-in-chief of the influential Wendingen magazine, his professional output encompassed structural planning, typography, and product design, positioning him as a significant figure within the Amsterdam School.

Early Career and Architectural Practice

Born in The Hague in 1885, Wijdeveld received his initial professional training at the architectural firm of Jacques van Straaten and the studio of Pierre Cuypers. Following a period working as an assistant to architect Louis Cordonnier in France, he returned to Amsterdam in 1914. Between 1914 and 1940, he executed several commissions, including the Bendien Residence, Villa De Wachter, the 1927 Plan West Amsterdam, Villa de Bouw, and a villa in Tilburg. During this period, he also drafted several conceptual designs, such as a theatre project for the Volkstheater and a reforestation initiative for Amsterdam.

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Editorial Work and Wendingen

Between 1918 and 1932, Wijdeveld served as the editor-in-chief of Wendingen, the official publication for the architectural association Architectura et Amicitia. The magazine became a primary platform for modernist movements in the Netherlands, recognized particularly for its innovative approach to typography and graphic layout. This editorial role solidified his influence on the discourse surrounding structural design and artistic presentation during the interwar years.

Post-War Career and Teaching

Following the publication of his book De Nieuwe Orde in 1940, public perception of his work shifted due to perceived sympathies with the German occupation. However, his professional standing saw a recovery in the post-war era, marked by a 1953 retrospective at the Stedelijk Museum in Amsterdam. Later, Wijdeveld transitioned into academia, teaching in the United States from 1947 to 1952 at the invitation of Frank Lloyd Wright. During the 1949–1950 academic year, he served as a visiting professor at the School of Design at NC State College.

Fast facts

Questions readers ask

What was the significance of Wendingen magazine?

It served as a platform for modernist movements and introduced a groundbreaking approach to typography and architectural presentation.

Did Wijdeveld work in the United States?

Yes, he taught there between 1947 and 1952, including a visiting professorship at NC State College.

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