Helene von Druskowitz

Austrian writer and philosopher (1856–1918)

Helene von Druskowitz was the second woman ever to receive a doctorate in philosophy, an achievement she reached at the University of Zürich. Born Helena Maria Druschkovich in 1856, she operated within the Cisleithanian cultural sphere, navigating an academic and literary landscape defined by restrictive gender norms that often necessitated the use of male pseudonyms for her professional publications.

Academic Foundation

Moving from Hietzing to Zürich in 1874, Druskowitz completed her abitur four years later. Her curriculum included Orientalism, modern languages, archaeology, and German literature. She secured her doctoral degree with a dissertation concerning the literary work Don Juan. Following this milestone, she taught literary history at universities in Munich, Basel, Zurich, and Vienna, while traveling extensively through Spain, Italy, France, and North Africa.

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Intellectual Circles and Conflicts

In 1881, Druskowitz joined the literary circle of Marie von Ebner-Eschenbach. Through the influence of Malwida von Meysenbug, she gained access to Friedrich Nietzsche and Lou Andreas Salomé. Druskowitz was among the few to receive a privately printed copy of the fourth book of Thus Spoke Zarathustra. However, her association with Nietzsche remained brief, and she later turned her intellectual efforts toward criticizing his philosophy, as well as prevailing religious and sexist structures.

Literary Output and Final Years

Druskowitz published numerous works, including studies on English writers such as Elizabeth Barrett Browning, George Eliot, and Joanna Baillie. She co-founded the feminist journals Der Federuf and Der heilige Kampf. Despite personal losses following the deaths of her brother in 1886 and her mother in 1888, and a subsequent struggle with alcoholism and substance use, she maintained a consistent output until 1905. Following a period of institutionalization beginning in 1891, she died from dysentery in 1918 at Mauer-Öhling.

Fast facts

Questions readers ask

Why did she use a male pseudonym?

She published under a male alias primarily to bypass the prevalent sexism of her era.

What subjects did she address in her writing?

Her works covered philosophy, literary criticism, and feminist critiques of religion and societal structures.

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