David d'Angers

French sculptor and medallist (1788-1856)

The Prix de Rome in 1811 served as the launchpad for Pierre-Jean David, a sculptor and medalist who adopted the name David d'Angers to distinguish himself from the master painter Jacques-Louis David. His career bridged the gap between Neoclassicism and Romanticism, leaving a legacy of monumental public works and an extensive collection of portrait busts across Europe.

Formative Years and Education

Born in 1788 in Angers, France, the son of a wood carver and musketeer entered the studio of Jean-Jacques Delusse before relocating to Paris in 1808. He furthered his training under Philippe-Laurent Roland and attended the Beaux-Arts de Paris. His talent earned him second place for Othryades in 1810 and the school's tête d'expression competition in 1811. His foundational education concluded with a five-year residency at the French Academy in Rome between 1812 and 1815, where he studied under Antonio Canova.

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Public Works and Notable Monuments

Upon returning to Paris, David d'Angers established a reputation for both private commissions and large-scale public monuments. His portfolio includes the tomb of François-Joseph Lefebvre, the cardiotaph of Jacques Nicolas Gobert, and a statue of Thomas Jefferson. He also contributed to the aesthetic landscape of Strasbourg with a monument to Gutenberg. His sculpture for the Pantheon and the Wounded Philopoemen held in the Louvre remain primary examples of his technical range.

Portraiture and Political Life

Beyond monumental sculpture, he produced over 500 medallions and numerous busts of prominent contemporary figures from France, England, and Germany. His dedication to his craft extended to charitable acts, such as creating a marble portrait of Rouget de Lisle to provide financial support for the ailing poet. Politically, he served as a member of the 1848 Constituent Assembly between 1848 and 1849. He was a member of both the Académie des beaux-arts and the Institut de France.

Fast facts

Questions readers ask

Why did he change his name to David d'Angers?

He adopted the name upon entering the studio of Jacques-Louis David in 1809 to clarify his own identity and acknowledge his origins in Angers.

Where can his work be viewed today?

A significant collection is housed at the Musée David in Angers, with additional pieces found in the Musée Carnavalet and the Musée de la Vie romantique in Paris.

Achievements

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