Marie Ellenrieder

German artist (1791-1863)

Enrollment in the Academy of Fine Arts Munich in 1813 marked the first instance of a woman gaining admission to a German art academy. Marie Ellenrieder navigated this unprecedented path, establishing a career defined by portraiture and religious painting within the Grand Duchy of Baden before eventually influencing future generations of artists through her own teaching.

Early Training and Style

Born in Constance in 1791 to Konrad and Anna Maria Herrmann, Ellenrieder developed her early skills under the instruction of miniature painter Joseph Einsle at the Munich Academy. Her initial portraits displayed a naturalism distinct from the prevailing standards of the period, drawing stylistic parallels to the work of Angelica Kauffman.

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Influence of the Nazarenes

During a study trip to Rome between 1822 and 1824, Ellenrieder engaged with the Nazarene movement, specifically following the guidance of Johann Friedrich Overbeck. Adopting the objective of renewing religious art through the influence of Raphael, she pivoted her output toward religious imagery. This stylistic shift was reinforced by the support of Baron von Wessenberg, leading to commissions such as the 1828 Martyrdom of St. Stephen for the Church of St. Stephen in Karlsruhe. By 1829, she attained the position of court painter to Grand Duchess Sophie of Baden.

Later Years and Royal Recognition

After returning to Constance in the 1840s, Ellenrieder continued her work as a painter, etcher, printmaker, and draftsperson. Her production included significant religious compositions such as the 1847 Holy Felicitas and her Seven Sons and the 1849 The 12 year old Jesus in the Temple. These works were later acquired for the Royal Collection at Osborne House. In addition to her creative output, she maintained an active role in art education, counting Caroline Mezger among her notable students. She died in Constance in 1863.

Fast facts

Questions readers ask

Was Marie Ellenrieder the first woman to attend a German art academy?

Yes, she became the first woman admitted to the Academy of Fine Arts Munich in 1813.

Where can her work be found today?

Her paintings are held in several locations, including the Royal Collection at Osborne House and the Jack Daulton Collection in Los Altos Hills, California.

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