Jacob Matham

engraver from the Northern Netherlands (1571-1631)

A copper engraving by Jacob Matham captures the technical rigor prevalent in the Dutch Republic during the early seventeenth century. Active as a printmaker, painter, and etcher, Matham spent his career within the artistic circles of Haarlem. His work serves as a primary reference for the evolution of engraving techniques in the Northern Netherlands during this era.

Training and Early Career

Born in Haarlem in 1571, Jacob Matham received his formal artistic training under the guidance of Hendrik Goltzius, who was both his mentor and stepfather. His professional development took place within the Haarlem Guild of St. Luke, an organization that regulated the standards and trade of local visual artists. Throughout his life, Matham resided primarily in his hometown, though his career included travel for work in Venice and Rome.

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Engraving Practice and Collaborations

Matham focused heavily on engraving, etching, and draftsmanship. Between 1611 and 1615, he produced a significant series of engravings based on the paintings of Peter Paul Rubens. He also completed a series of prints derived from the works of Pieter Aertsen. His workshop provided training for other artists, including Jan van de Velde, who became his apprentice in 1613.

Family and Final Years

His personal life remained deeply integrated with his professional community. He married Marijtgen van Poelenburgh, the sister of the engraver Simon van Poelenburgh. Matham fathered three sons, Jan, Theodor, and Adriaen Matham, the last of whom established his own career as an engraver. Jacob Matham died in 1631 at the age of 60 and was buried in the Grote Kerk in Haarlem.

Fast facts

Questions readers ask

What was Jacob Matham's primary professional association?

He was a member of the Haarlem Guild of St. Luke.

Did Jacob Matham teach other artists?

Yes, he took on the engraver Jan van de Velde as an apprentice in 1613.

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