Thirteen of the forty-one Broadway theatres currently standing were designed by Herbert J. Krapp, a professional who redefined the New York theatre district through a distinct focus on spatial efficiency. His work prioritized wider footprints over deep floor plans, a strategic shift that improved sightlines and prioritized the intimate experience of the audience within the theatre.
Professional Origins and Theatrical Design
A graduate of Cooper Union, Krapp developed his skills as an apprentice at the Herts & Tallant firm until 1915. During this period, the architectural profession began treating the theatre as a singular, integrated design project. Krapp transitioned into independent practice by partnering with the Shubert brothers, eventually becoming their primary architect. His early independent commissions included the Broadhurst and the Plymouth Theatre, which functioned as mirror images of each other and opened in rapid succession.
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Krapp introduced functional advancements such as single balcony configurations and orchestra-level stadium seating, which increased lobby space and enhanced visibility. His approach to difficult urban plots was exemplified by the Ambassador Theatre, where he employed a diagonal plan to accommodate the restricted site. These developments maximized the building potential of limited Broadway footprints, maintaining functionality alongside aesthetic appeal.
Aesthetic Language and Legacy
His façades frequently utilized neoclassical elements, often incorporating ornamental iron, brickwork, cornices, and pilasters. He blended these with the Adam style, sometimes adding Mediterranean, Mission, or Elizabethan revival touches. Beyond his theatrical work, Krapp designed the Hotel Edison and the Lincoln Hotel. Despite the decline in construction following the 1929 stock market crash, he remained with the Shubert organization until 1963, managing ongoing maintenance and renovation projects for their venues.
Fast facts
- Born: 1886, New York City
- Died: 1973, Florida
- Education: Cooper Union
- Key Occupation: Architect
- Burial Site: Salem Fields Cemetery
- Notable Projects: Broadhurst, Plymouth, and Majestic Theatres
- Non-theatrical works: Hotel Edison and Lincoln Hotel
- Citizenship: United States
Questions readers ask
What stylistic elements did Krapp incorporate into his theatre designs?
He favored neoclassical façades with decorative pilasters, iron balconies, and patterned brickwork, often using the Adam style mixed with revival elements.
What happened to Krapp's career after the 1929 market crash?
He remained with the Shubert brothers until 1963, focusing on the maintenance and renovation of existing properties rather than new large-scale theatre construction.
